The music is not Beethoven's most familiar, but it is absolutely charming. The concerto is appealing in its melodic material and the intricate interactions among the soloists and orchestra. The Choral Fantasy features a long piano solo that Beethoven wrote for himself, plus a choral melody that sounds like a preliminary sketch for the last movement of his Ninth Symphony. Both works pose unusual balance challenges, to which Barenboim and the recording engineers rise impressively.

Daniel Barenboim conducts the Berliner Philharmoniker in performances of Beethoven's 'Triple Concerto' and 'Choral Fantasy'. Itzhak Perlman and Yo-Yo Ma are joined by Carola Höhn, Katherina Kammerloher, Andrea Bönig and Endrick Wottrich, amongst others.

Antra, a stressed cello teacher, prepares her stubborn student Estere moments before the competition.

An innovative short documentary that uses new editing techniques to complement Stravinsky’s violin concerto with some unique choreography from George Balanchine.

慕特，小提琴／马友友，大提琴★巴伦波英，钢琴、指挥东西和平会议管弦乐团 1999年夏天，巴伦波英与巴勒斯坦建国运动活跃分子萨伊德在德国威玛成立由阿拉伯与犹太人组成的「东西和平会议管弦乐团」，实现让对立的民族透过音乐来反思与相互了解的理念 。 这个已经成为包容多元文化象征的乐团在2019年庆祝成立二十周年，巴伦波英选择以贝多芬的作品来纪念这个珍贵的成果。巴伦波英认为，贝多芬不但公认是一名人道主义者，可能也是音乐史上第一位真正非常规的作曲家。 演奏贝多芬的作品时，音乐家的肢体必须全心投入，因为贝多芬的音乐「强迫你走到刀口，走到悬崖，接着走进深渊。这需要极大的勇气。」贝多芬的作品具有永恒难以抗拒的魅力与普世价值。 对慕特认而言，「应该如兄弟姐妹般生活的想法，是他（贝多芬）最主要的成就⋯⋯这样的想法让他成为为过去指出美好未来道路的信使」。专辑的两部作品都反映出这种肯定生命的信息。 这是乐团于2019年七月与十月，在阿根廷布宜诺斯艾利斯与德国柏林演出实况。 第七号交响曲以愉快的舞蹈风格闻名，整部作品几乎都有轻快的节奏。 三重协奏曲在贝多芬的作品里也占有特殊的地位。 高雅精练的风格与乐曲结构，既彰显出他的幽默感，也表现出革命精神。 正如马友友所说，音乐里接连不断的创意令人惊讶不已。

暂无剧情简介

汤姆·瑟维斯（Tom Service）带来一场埃尔加（Elgar）广受欢迎的《大提琴协奏曲》演奏会。这部协奏曲创作于第一次世界大战之后，由法国大提琴家让 - 吉恩·凯拉斯（Jean - Guihen Queyras）担任独奏。这场逍遥音乐会（Prom）开场时，爱德华·加德纳（Edward Gardner）指挥英国广播公司交响乐团（BBC Symphony Orchestra）和合唱团，演奏法国作曲家莉莉·布朗热（Lili Boulanger）的合唱小品《为战士葬礼而作》（For A Soldier's Funeral）。最后一首曲目是沃恩……

Krystian Zimerman joined forces with Sir Simon Rattle and the London Symphony Orchestra last December in Beethoven’s five piano concertos. Their spellbinding performances, streamed on DG Stage from LSO St Luke’s and recorded live by Deutsche Grammophon, harvested a bumper crop of critical superlatives.

Leonard Bernstein filmed Piano Concertos 3, 4, and 5 in 1989, but did not live to film the first two. He died in 1990. So Krystian Zimerman, the pianist, paid tribute to Bernstein and rounded out the set in 1991 by both playing and conducting Concertos 1 and 2.

Wiener Philharmonic Karl Bohm Claudio Abbado